The weaving style originated in Asia, spread across the Middle East, and reached into Europe thanks to the efforts of traders like Marco Polo. By the 12th century, the fabric had been named after Damascus, which was quickly rising to fame as a center of textile production. The ornate fabrics exported from Damascus were well known, leading many people to associate the fabric with the city. Italy also housed numerous well known manufacturers of damask.

For many consumers, damask is closely associated with luxury. The weave of damask is very dense, resulting in a substantial cloth.

In this adaptation to our 20th century life, two extremes of patterns have evolved. One is characterized by new colour effects, the other simulates a fabric dulled and worn by age. And under good decorators or discriminating householders, damask-covered furni- ture and window and other draperies are successfully associated with fine furnishings of many periods, including our own.

The damask weave is a fabric on which the pattern is brought out by the lines of its weave running in a different direction from that of the ground. Damask linen tablecloths illustrate this beautifully. In modern damask, there are incor- porated with the traditional silk other materials, such as cotton, linen, wool and artificial silk, in order to produce new effects. The fabric is, however, made in essentially the same manner as in the 12th century, when it got its present name from the city of Damascus, then famous for the beauty of its silks of this character.


Damask wallpaper patterns

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